A protagonist of the Milanese
cultural scene of the 1960s, Italian designer Nanda Vigo (Milan, 1936)
began producing her Cronotopi in 1963, in the spirit of ZERO, the
transnational group of German, Dutch, French, Belgian, Swiss and Italian
artists.

Participating in the avant-garde movements and groups of
the early sixties, the artist developed her own thoughts on the light,
transparency and immateriality that were to constitute her work as well
as on the spaces inhabited by human beings.

This book showcases
the multifaceted activity of Nanda Vigo in the fields of art,
architecture and design, analysed by curator Marco Meneguzzo.

Text in English and Italian.