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In The Genealogy of Color, Venezuelan artist Emilia Azcarate (born 1964) uses the formal language of abstraction, repetition and seriality typical of her work to reconsider the meanings of historical casta paintings–an 18th-century genre depicting racial mixing in colonial Latin America.
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In The Genealogy of Color, Venezuelan artist Emilia Azcarate (born 1964) uses the formal language of abstraction, repetition and seriality typical of her work to reconsider the meanings of historical casta paintings–an 18th-century genre depicting racial mixing in colonial Latin America.