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This critical work sets itself the goal of presenting the sociocultural facts of the literary Francophonie. Beyond appearing a simple substantive reading, it is intended to be a meaningful structure of form, relationship and context which semantically produces the manifest elements of black artistic creation. We can see solid bases in epistemology, theatrical semiology, literary sociology and African history. It opens the way to the various aspirations that a society served by singularity must have.
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This critical work sets itself the goal of presenting the sociocultural facts of the literary Francophonie. Beyond appearing a simple substantive reading, it is intended to be a meaningful structure of form, relationship and context which semantically produces the manifest elements of black artistic creation. We can see solid bases in epistemology, theatrical semiology, literary sociology and African history. It opens the way to the various aspirations that a society served by singularity must have.