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Demons are mutable, their existence dependent on context. So, too, this series of 170-odd pictures by Swiss artist Anton Bruhin, is wholly dependent on what the eye sees in them. They appeal to the imagination, the pre-existing mental images in which we range our visual impressions. They play on patterns and archetypes innate to the human mind. Bruhin’s demons betray a profound sense of the nature of suggestion. But what would a current-day demon look like? The free-floating ghosts of yore, personifying vital and cosmic energies, were displaced over the centuries from the outside world into the inner life of living creatures, especially human beings, and came to be associated with evil: malevolent spirits that slip into things to whip them into a frenzy, to foist maladies and iniquities upon them, to unhinge them and set the destructive powers of fate on them.
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Demons are mutable, their existence dependent on context. So, too, this series of 170-odd pictures by Swiss artist Anton Bruhin, is wholly dependent on what the eye sees in them. They appeal to the imagination, the pre-existing mental images in which we range our visual impressions. They play on patterns and archetypes innate to the human mind. Bruhin’s demons betray a profound sense of the nature of suggestion. But what would a current-day demon look like? The free-floating ghosts of yore, personifying vital and cosmic energies, were displaced over the centuries from the outside world into the inner life of living creatures, especially human beings, and came to be associated with evil: malevolent spirits that slip into things to whip them into a frenzy, to foist maladies and iniquities upon them, to unhinge them and set the destructive powers of fate on them.