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Texte, Fragmentation, Creativite II / Text, Fragmentation, Creativity II: Penser Le Fragment Litteraire / Studies on a Fragment in Literature
Hardback

Texte, Fragmentation, Creativite II / Text, Fragmentation, Creativity II: Penser Le Fragment Litteraire / Studies on a Fragment in Literature

$83.99
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.

L'oeuvre litteraire peut etre apprehendee comme un espace ou agissent simultanement deux forces opposees. D'une part, il s'agit des forces de decomposition qui travaillent sa structure, augmentant l'entropie du systeme textuel; de l'autre, il y a des forces de reequilibrage qui tendent a relier, a federer les parties disjointes afin de reussir une (im)possible unite. Les travaux developpes dans ce livre etudient differents aspects du fonctionnement formel et semantique du fragment dans la litterature francaise et francophone. Ils demontrent que la decomposition de la forme ne vise pas la destruction de l'oeuvre, mais permet de faire ressortir son potentiel de recreation.

A literary work can be considered as a place under the influence of opposing forces. On the one hand, there are deconstructing forces which, by affecting the structure, interfere with its continuity; on the other hand, there are counteracting forces that seek to connect separated parts to create a new unity. The contributions in this book examine the formal and semantic functioning of a fragment in French and Francophone literature. They prove that the decomposition of form does not cause the destruction of the work, but releases all its creative potential.

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MORE INFO
Format
Hardback
Publisher
Peter Lang AG
Country
Switzerland
Date
18 December 2018
Pages
234
ISBN
9783631766699

This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.

L'oeuvre litteraire peut etre apprehendee comme un espace ou agissent simultanement deux forces opposees. D'une part, il s'agit des forces de decomposition qui travaillent sa structure, augmentant l'entropie du systeme textuel; de l'autre, il y a des forces de reequilibrage qui tendent a relier, a federer les parties disjointes afin de reussir une (im)possible unite. Les travaux developpes dans ce livre etudient differents aspects du fonctionnement formel et semantique du fragment dans la litterature francaise et francophone. Ils demontrent que la decomposition de la forme ne vise pas la destruction de l'oeuvre, mais permet de faire ressortir son potentiel de recreation.

A literary work can be considered as a place under the influence of opposing forces. On the one hand, there are deconstructing forces which, by affecting the structure, interfere with its continuity; on the other hand, there are counteracting forces that seek to connect separated parts to create a new unity. The contributions in this book examine the formal and semantic functioning of a fragment in French and Francophone literature. They prove that the decomposition of form does not cause the destruction of the work, but releases all its creative potential.

Read More
Format
Hardback
Publisher
Peter Lang AG
Country
Switzerland
Date
18 December 2018
Pages
234
ISBN
9783631766699