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This work examines the common perception that Medieval literature is a set of singular textual entities. In particular, it scrutinizes widely disseminated texts that, as the manuscript tradition shows, underwent significant changes that led to the creation of what are practically new works.
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This work examines the common perception that Medieval literature is a set of singular textual entities. In particular, it scrutinizes widely disseminated texts that, as the manuscript tradition shows, underwent significant changes that led to the creation of what are practically new works.