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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Projected Passion tells the story of the cinema in Salisbury, Wiltshire, UK, to the end of the twentieth century. From the showing of moving pictures at the annual charter fair, via the old city theatres, the story of cinema pioneer Albany Ward and his civilian and garrison theatres, to the golden years when Salisbury could support three state-of-the-art cinemas (with a fourth at nearby Amesbury). The decline of the film sector is covered as one-by-one these old ‘picture palaces’ fell away until the last of them, The Odeon, was saved from closure and redevelopment by a local campaign worthy of its own feel-good movie. Projected Passion complements the authors’ previous books about the history of popular music in Salisbury, and their prose style deals with both the entertainment and potentially stodgy planning processes in a serious but readable manner.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Projected Passion tells the story of the cinema in Salisbury, Wiltshire, UK, to the end of the twentieth century. From the showing of moving pictures at the annual charter fair, via the old city theatres, the story of cinema pioneer Albany Ward and his civilian and garrison theatres, to the golden years when Salisbury could support three state-of-the-art cinemas (with a fourth at nearby Amesbury). The decline of the film sector is covered as one-by-one these old ‘picture palaces’ fell away until the last of them, The Odeon, was saved from closure and redevelopment by a local campaign worthy of its own feel-good movie. Projected Passion complements the authors’ previous books about the history of popular music in Salisbury, and their prose style deals with both the entertainment and potentially stodgy planning processes in a serious but readable manner.