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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Clotilde Graves was known for challenging convention. In her early years, she was known as the dramatist Clo Graves , but became better known under her fiction-writing persona, Richard Dehan . She transgressed contemporary gender norms by dressing in male attire, wearing her hair short, and smoking in public. This border crossing can be seen also in her work, which encompasses a wide variety of forms and modes. And while she wrote relatively few fantastical stories, she was devoted to tales of lingering revenants, mysterious cryptids, and grotesque sciences-often laced with her sardonic sense of humour. This volume seeks to recover this side of Graves’s writing by including stories from across her career, which challenge definition and range across the speculative genres.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Clotilde Graves was known for challenging convention. In her early years, she was known as the dramatist Clo Graves , but became better known under her fiction-writing persona, Richard Dehan . She transgressed contemporary gender norms by dressing in male attire, wearing her hair short, and smoking in public. This border crossing can be seen also in her work, which encompasses a wide variety of forms and modes. And while she wrote relatively few fantastical stories, she was devoted to tales of lingering revenants, mysterious cryptids, and grotesque sciences-often laced with her sardonic sense of humour. This volume seeks to recover this side of Graves’s writing by including stories from across her career, which challenge definition and range across the speculative genres.