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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This collection is so damn good I want to quote from every exploration inside every poem: food, family, love, tragedy, humor, religion and death, Certo's O Body of Bliss possesses an incisive immediacy, replete with surprises, that grabs and won't let go: "Who wasn't shoved in a room by Boy Who Would Grow Up/To Be Rapist, his hands at work while her friends picked the lock?" Storyteller and lyric poet all in one, in "Ode to the Airbnb," she asks: "isn't it/ sacred to be someone else, stepping over/ the threshold into their skin, into the history/ of closets, into the wall spaces between framed/ photos bound in their hall light, their wanderings/ and absences, their quilts and smells, the lives/ of the hearth and the lock on the storage room." The range of her conjuring coupled with her linguistic gifts leave me awestruck.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This collection is so damn good I want to quote from every exploration inside every poem: food, family, love, tragedy, humor, religion and death, Certo's O Body of Bliss possesses an incisive immediacy, replete with surprises, that grabs and won't let go: "Who wasn't shoved in a room by Boy Who Would Grow Up/To Be Rapist, his hands at work while her friends picked the lock?" Storyteller and lyric poet all in one, in "Ode to the Airbnb," she asks: "isn't it/ sacred to be someone else, stepping over/ the threshold into their skin, into the history/ of closets, into the wall spaces between framed/ photos bound in their hall light, their wanderings/ and absences, their quilts and smells, the lives/ of the hearth and the lock on the storage room." The range of her conjuring coupled with her linguistic gifts leave me awestruck.