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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
'The Time of the Angels' is a sequence of poems in which a young woman reads and re-reads Sir Thomas Malory's 'Morte D'Arthur' during the winter and spring of 1979. She is researching and writing an undergraduate dissertation, but her encounter with Malory is also a highly personal one; she perceives the centrality of 'chances, choices, prophecies, destinies, past and future time' and responds to an atmosphere of 'loss soaking backwards through the pages like a tide receding'. And there is Malory's voice: 'a plain voice, threading beads'. Time, like the weather, seems frozen. The 'winter of discontent' with its strife and strikes is only a faint hum in the background, as is the approaching General Election. Time is also a long corridor in which a reader can walk briskly back and forth, knowing and still not knowing what will happen, experiencing events as accidental rather than inevitable. During the reading and re-reading, while the narrative continues, the reign of Arthur feels eternal and everlasting, but it must end, and badly.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
'The Time of the Angels' is a sequence of poems in which a young woman reads and re-reads Sir Thomas Malory's 'Morte D'Arthur' during the winter and spring of 1979. She is researching and writing an undergraduate dissertation, but her encounter with Malory is also a highly personal one; she perceives the centrality of 'chances, choices, prophecies, destinies, past and future time' and responds to an atmosphere of 'loss soaking backwards through the pages like a tide receding'. And there is Malory's voice: 'a plain voice, threading beads'. Time, like the weather, seems frozen. The 'winter of discontent' with its strife and strikes is only a faint hum in the background, as is the approaching General Election. Time is also a long corridor in which a reader can walk briskly back and forth, knowing and still not knowing what will happen, experiencing events as accidental rather than inevitable. During the reading and re-reading, while the narrative continues, the reign of Arthur feels eternal and everlasting, but it must end, and badly.