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This concerto, originally for oboe, is written in four movements (slow-fast-slow-fast). The piece is remarkably well-suited for performance by brass instruments due in large part, to Handel’s expert writing for oboe, which infused the work with idiomatic wind figures throughout each movement.
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This concerto, originally for oboe, is written in four movements (slow-fast-slow-fast). The piece is remarkably well-suited for performance by brass instruments due in large part, to Handel’s expert writing for oboe, which infused the work with idiomatic wind figures throughout each movement.