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The French Play is a step–by–step guide to the challenging process of producing and directing a foreign–language play with English–speaking student actors. Using his own student productions of French-language plays as models, Les Essif leads readers through the process of exploring drama and building a successful play with an eye toward applying re–creative strategies. Essif promotes an array of new strategies for planning, producing, analyzing, and theorizing theatre, covering such essential topics as: exercises to produce a total, corporeal expression of the foreign language; performance semiotics; organization of rehearsal schedules; the collaborative assignment of roles; audience participation; publicity and promotion; taking the play on tour; and the evaluation of student actors. Aimed at university drama students, The French Play is also a must–have for scholars and teachers of performance and dramatic staging, foreign languages, English as a second language, and anyone else who requires a strong theoretical and critical approach to foreign language drama.
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The French Play is a step–by–step guide to the challenging process of producing and directing a foreign–language play with English–speaking student actors. Using his own student productions of French-language plays as models, Les Essif leads readers through the process of exploring drama and building a successful play with an eye toward applying re–creative strategies. Essif promotes an array of new strategies for planning, producing, analyzing, and theorizing theatre, covering such essential topics as: exercises to produce a total, corporeal expression of the foreign language; performance semiotics; organization of rehearsal schedules; the collaborative assignment of roles; audience participation; publicity and promotion; taking the play on tour; and the evaluation of student actors. Aimed at university drama students, The French Play is also a must–have for scholars and teachers of performance and dramatic staging, foreign languages, English as a second language, and anyone else who requires a strong theoretical and critical approach to foreign language drama.