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Set in New York City, Fourth of July is a dark tale of privilege run amok. Ogden Goodman is a wealthy lawyer who, harried one evening by boredom, hires a homeless man to perform for his family. The success of that evening’s performance leads Ogden–and others in his circle–to engage a variety of characters in a host of increasingly outrageous and disturbing activities. Lewis J. Beilman III crafts this satire with skill and humor and creates a world that seems, at the same time, both absurd and all too real. [Lewis] Beilman casts the satirist’s stink eye on the gilded lives of the bored and wealthy. Fourth of July is a clever, absurdist tale for the Opposite World where we all dwell now. Debra Dean, author of The Madonnas of Leningrad Grounded in scene and propelled forward by a satirically dark portrayal of white privilege, Fourth of July boldly depicts the bigotry, racism, and sheer absurdity that still plague contemporary American life. Refusing to offer easy answers or feel-good resolutions, this daring novella forces us to confront issues of class, race, and culture through a seemingly hyperbolic lens that at times can feel all too real. Anchored by self-assured prose, Lewis Beilman skillfully balances an incrementally disturbing plot and cast of central characters with a touch of humor, all of it leading to a powerfully unsettling conclusion. In today’s social and political context, Fourth of July is sure to linger long after it has been read. Dariel Suarez, author of In the Land of Tropical Martyrs
