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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Library of Congress
W032066
Samuel Holyoke co-edited this publication with Kimball. Cf. Grove's dictionary of music and musicians, American supplement, p. 387. Dedicated to the Essex Musical Association. Error in paging: p. 13 misnumbered 14.
[Exeter, N.H.]: From the music-press of H. Ranlet, Exeter. Printed for T.C. Cushing and B.B. Macanulty, and sold at their book-stores in Salem, 1800. viii, [1],10-111, [1]p.: music; 4 degrees
