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This volume examines The Ramaya?a traditions of South India and Southeast Asia. Bringing together 19 well-known scholars in Ramaya?a studies from Cambodia, Canada, France, India, Indonesia, Malaysia, Singapore, Thailand, UK, and USA, this thought-provoking and elegantly illustrated volume engages with the inherent plurality, diversity, and adaptability of the Ramaya?a in changing socio-political, religious, and cultural contexts.
The journey and localization of the Ramaya?a is explored in its manifold expressions - from classical to folk, from temples and palaces to theatres and by-lanes in cities and villages, and from ancient to modern times. Regional Ramaya?as from different parts of South India and Southeast Asia are placed in deliberate juxtaposition to enable a historically informed discussion of their connected pasts across land and seas. The three parts of this volume, organized as visual, literary, and performance cultures, discuss the sculpted, painted, inscribed, written, recited, and performed Ramaya?as. A related emphasis is on the way boundaries of medium and genre have been crossed in the visual, literary, and performed representations of the Ramaya?a.
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This volume examines The Ramaya?a traditions of South India and Southeast Asia. Bringing together 19 well-known scholars in Ramaya?a studies from Cambodia, Canada, France, India, Indonesia, Malaysia, Singapore, Thailand, UK, and USA, this thought-provoking and elegantly illustrated volume engages with the inherent plurality, diversity, and adaptability of the Ramaya?a in changing socio-political, religious, and cultural contexts.
The journey and localization of the Ramaya?a is explored in its manifold expressions - from classical to folk, from temples and palaces to theatres and by-lanes in cities and villages, and from ancient to modern times. Regional Ramaya?as from different parts of South India and Southeast Asia are placed in deliberate juxtaposition to enable a historically informed discussion of their connected pasts across land and seas. The three parts of this volume, organized as visual, literary, and performance cultures, discuss the sculpted, painted, inscribed, written, recited, and performed Ramaya?as. A related emphasis is on the way boundaries of medium and genre have been crossed in the visual, literary, and performed representations of the Ramaya?a.