Living with His Camera

Photography is usually written about from the point of view of either the photographer or the viewer. Living with His Camera offers a perspective rarely represented - that of the photographed subject. Dick Blau has been making art photographs of the people he lives with for more than 30 years; cultural theorist Jane Gallop has been living with him - and his camera - for 20 years. Living with His Camera is Gallop’s nuanced meditation on photography and the place it has in her private life and in her family. A reflection on family, it attempts - like Blau’s photographs themselves - to portray the realities of family life beyond the pieties of conventional representations. Living with His Camera is about some of the most pressing issues of visuality and some of the most basic issues of daily life. Gallop considers intimate photographs of moments both dramatic and routine: of herself giving birth to son Max or crying in the midst of an argument with Blau, pouring herself cereal as Max colours at the breakfast table, or naked, sweeping the floor. With her trademark candor, humour, and critical acumen, Gallop mixes personal reflection with close readings of Roland Barthes’s Camera Lucida , Susan Sontag’s On Photography , Kathryn Harrison’s novel Exposure , and Pierre Bourdieu’s Photography .