Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Scholars have traditionally pushed Francophone literature to the margins of cultural and literary creation. When they do examine literature originating from the former French colonies, they often view it as an outgrowth of colonial literature. By suggesting new ways to understand the multiple voices present in this body of work, this book explores how Francophone African poetry and theatre in particular constitute both an organic cultural product, and a reflection of the diverse African cultures in which these genres originate.
Themes explored in five chapters include the diversity of African identity formation, the resistance to former notions of literary composition as art, a remapping of social responsibility and diversity, and the impact of globalization on Francophone Africa’s identity formation and participation in geoeconomics, geopolitics and geoculture. By looking at Francophone African literature from the arrival of independence in the 1960s until the present, this study highlights its inner workings and suggests a canonization of contemporary Francophone works from a world perspective.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Scholars have traditionally pushed Francophone literature to the margins of cultural and literary creation. When they do examine literature originating from the former French colonies, they often view it as an outgrowth of colonial literature. By suggesting new ways to understand the multiple voices present in this body of work, this book explores how Francophone African poetry and theatre in particular constitute both an organic cultural product, and a reflection of the diverse African cultures in which these genres originate.
Themes explored in five chapters include the diversity of African identity formation, the resistance to former notions of literary composition as art, a remapping of social responsibility and diversity, and the impact of globalization on Francophone Africa’s identity formation and participation in geoeconomics, geopolitics and geoculture. By looking at Francophone African literature from the arrival of independence in the 1960s until the present, this study highlights its inner workings and suggests a canonization of contemporary Francophone works from a world perspective.