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… lush chords and sonorities, ecstatic rhythmic energy within constantly changing metres, intricate birdsong-like arabesques and a primary-coloured approach to the orchestra.
Stephen Banfield, The Musical Times, November 1986
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… lush chords and sonorities, ecstatic rhythmic energy within constantly changing metres, intricate birdsong-like arabesques and a primary-coloured approach to the orchestra.
Stephen Banfield, The Musical Times, November 1986