In this study, David Sterritt offers an introductory overview of Godard’s work as a filmmaker, critic, and video artist. In subsequent chapters, he traces Godard’s visionary ideas through six of his key films, including Breathless, My Life to Live, Weekend, Numero deux, Hail Mary, and Nouvelle vague. Also included is a concise analysis of Godard’s work in video, television, and mixed-media formats. Linking Godard’s works to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the past half century.