You'll Be Sorry When I'm Dead
Marieke Hardy
You’ll Be Sorry When I’m Dead
Marieke Hardy
He was wearing a pair of leather pants that clung like terrified orphans to his muscular thighs, and a revealing black mesh t-shirt. The outfit seemed at odds with the cream-coloured settee and floral print curtains.
From stalking and eventually meeting her Young Talent Time idol when she was twelve, to a particularly abhorrent encounter at a high-quality swingers night, and a mildly perverse obsession with Bob Ellis, there is nothing Marieke Hardy won’t write about. Welcome to a chronicle of broken hearts, fervid pursuits, passionate friendships, deranged letter-writing, the allure of the bottle, the singular charms of musicians, the lost song of youth, and three very awkward evenings with varying prostitutes-exactly zero percent of which the author’s parents will want to read. Add to that a slightly misguided attempt to give real-life friends and ex-lovers a ‘right of reply’ to the stories they appear in and it’s fair to say an extended stint in the Witness Protection Program beckons.
Confessional, voyeuristic, painful, hilarious and heartfelt, You’ll Be Sorry When I’m Dead reveals the acerbic wit, unflinching gaze and razor-sharp insight of a writer at the height of her powers-or the unhinged fantasies of a dangerous mind with not enough to do.
Review
Jo Case, editor of the Readings Monthly newsletter
Marieke Hardy attracts strong reactions – fans and haters – and if you’re in either camp, this book of essays is unlikely to change your mind. But if you’re unfamiliar with Ms Hardy, or only know her as ‘the one with the racy outfits’ from ABC TV’s First Tuesday Book Club, it’s well worth sampling her prose and finding out where you fall.
Me, I’m partial to Marieke’s blend of sassy wordplay, lefty politics and frank, funny confessionals. I was entertained by her recollections of acting on The Henderson Kids and writing for Neighbours; memories of stalking Joey Dee from Young Talent Time (a crush that ended after she scored an invite to afternoon tea), and the inside story of her public infatuation with political clown Bob Ellis, including an awkward weekend at his house (grotesquely fascinating and very funny).
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A common thread in many of these essays is Hardy’s expectations being turned on their head, and it’s this element that is most engaging. A fantasy of sex with prostitutes is not just disappointing, but mortifying. Her idols prove flawed. In an essay I found deeply touching, she writes about being an initially reluctant half-time stepmother, then her relationship buckling under the grief of the child’s loss after the mother moved interstate. These moments of reflection, the moments where Hardy makes herself truly vulnerable, break through the consciously self-deprecating, relentlessly witty persona and really shine. You’ll Be Sorry When I’m Dead is a thoroughly entertaining read – and even better, it’s intermittently surprising, touching, and genuinely revelatory.
Jo Case is the editor of
You’ll Be Sorry When I’m Dead
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