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In this episode, a conversation with Jane Caro, a commentator, writer and activist, and author of Lyrebird. In this new crime novel, which opens twenty years in the past, ornithology student Jessica Weston recorded a lyrebird mimicking a woman's dying screams and reported it to police, but her claims were dismissed. Now, two decades later, a body is discovered exactly where Jessica had said it would be. Retired detective Megan Blaxland, who originally believed Jessica, returns to lead the reopened investigation. She and Jessica are determined to seek justice for the long-ignored victim, whose death was witnessed only by a bird and her murderer. But as they dig deeper, they uncover dangerous truths that put their own lives at risk.

In today’s episode, author Hamish McDonald in conversation to discuss his book, Melanesia: Travels in Black Oceania. Stretching from Fiji in the east to New Guinea in the west, Melanesia is astonishingly diverse. Its islands are home to some 1,200 language groups, many of them still isolated from the outside world. In Australia, this complex region tends to make the news only in times of crisis – military coups in Fiji, Kanak unrest in New Caledonia, rioting in Solomon Islands. Melanesia offers readers a deeper insight into the people and places behind these headlines, combining travelogue, history and astute political analysis.

In this episode, a recording taken from the launch of historian Lisa MacKinney’s book, Dressed in Black: The Shangri-Las and Their Recorded Legacy. MacKinney marshals an impressive array of new evidence to tell the story of the Shangri-Las, one of the most significant-and most misunderstood-pop groups of the 1960s. Sisters Mary and Betty Weiss, together with twins Mary Ann and Marguerite Ganser, were schoolgirls when they formed the Shangri-Las in 1963, and had a meteoric rise to fame with songs like "Leader of the Pack" and "Remember (Walking in the Sand)." Their career was cut short for reasons largely beyond their control, derailed by the machinations of Mafia-linked record executives, and heartbreak and tragedy followed. Equally importantly, Dressed in Black radically rewrites the accepted narrative of the Shangri-Las' place in rock history. As young women, they were permitted little agency within a male-dominated industry that viewed teenagers as fodder to be manipulat-ed and exploited by producers, songwriters, and label owners. For decades, this has served as an excuse for critics to deny the musical input of the group members, to trivialize the Shangri-Las as a "girl group," and to assign their work a lesser rank in the canon of "authentic" rock and roll. MacKinney's great achievement here is to foreground the Shangri-Las' considerable abilities and musicality, and establish the centrality of their performance of their songs to the group's underappreciated artistic achievement.